Andy Bell – Non-Stop
2010
Running Out 3:25
Call On Me 3:50
Subject / Object 3:44
Say What You Want 3:35
Will You Be There? 3:30
Slow Release 3:39
Touch 3:31
Non-Stop 3:31
DHDQ 3:17
Honey If You Love Him (That's All That Matters) 4:56
Non Stop (album)
Non Stop (album)
Andy Bell – Non-Stop
2010
Running Out 3:25
Call On Me 3:50
Subject / Object 3:44
Say What You Want 3:35
Will You Be There? 3:30
Slow Release 3:39
Touch 3:31
Non-Stop 3:31
DHDQ 3:17
Honey If You Love Him (That's All That Matters) 4:56
From Wonderland to the World Beyond
Re: Non Stop
Andy on Non Stop during promo for Ten Crowns-
When I look at Non-Stop as a piece of work, it’s not very coherent. I loved working with Pascal Gabriel, and he’d worked with Kylie, but at the same time, I sort of wanted to be cool. You can’t want to be cool. You’re either cool or you’re not, but I love some of the songs and I think there were some amazing remixes on there, especially the Seamus Haji remix of ‘Will You Be There?’ In some ways, it was a bit ahead of its time. I think with Erasure too, it’s always been like that – some of the costumes that I’ve worn have been derided, but then all of a sudden Take That or Harry Styles are wearing it. In some ways, that’s more flattering, because you’re not part of whatever the clique is at the time. ‘Honey If You Love Him (That’s All That Matters)’, the song with Perry Farrell, was bizarre because it came out of nowhere, I didn’t know he was a fan or anything. There was an invite from him saying, ‘Oh, I’ve got this song that I think you would really like’ and I did. I’m so glad that he let me do it and sing with him. I thought he was very brave. We went to his studio in Malibu, I didn’t know many of his songs, only a few, and it’s a bit embarrassing when you’re working with someone and you don’t really know their stuff very well. I just thought what an opportunity not to be missed. We got we got on really well.
When I look at Non-Stop as a piece of work, it’s not very coherent. I loved working with Pascal Gabriel, and he’d worked with Kylie, but at the same time, I sort of wanted to be cool. You can’t want to be cool. You’re either cool or you’re not, but I love some of the songs and I think there were some amazing remixes on there, especially the Seamus Haji remix of ‘Will You Be There?’ In some ways, it was a bit ahead of its time. I think with Erasure too, it’s always been like that – some of the costumes that I’ve worn have been derided, but then all of a sudden Take That or Harry Styles are wearing it. In some ways, that’s more flattering, because you’re not part of whatever the clique is at the time. ‘Honey If You Love Him (That’s All That Matters)’, the song with Perry Farrell, was bizarre because it came out of nowhere, I didn’t know he was a fan or anything. There was an invite from him saying, ‘Oh, I’ve got this song that I think you would really like’ and I did. I’m so glad that he let me do it and sing with him. I thought he was very brave. We went to his studio in Malibu, I didn’t know many of his songs, only a few, and it’s a bit embarrassing when you’re working with someone and you don’t really know their stuff very well. I just thought what an opportunity not to be missed. We got we got on really well.
From Wonderland to the World Beyond